I'm currently a pre-med at some university of which you might or might not have heard. I mostly enter fics in challenges, and many of my fics tend to fall around the same themes or group of characters.
Let me try to talk about some of my fics in a bit more detail.
Winter's Last Chill:
Characters (canon): Remus, Tonk, Sirius
OC: Bjorn, Evelyn Lupin, Eudard Lupin
Complete. 5 chapters. This fic holds a special place in my heart because I put something coherant together. This is a Remus/Tonks fic at heart, but it's also a fic about Remus and his mum, Evelyn. There are flashbacks interweaved between moments that span from GoF to HBP.
Taboo
Characters (canon): Hermione, Blaise, Cormac McLaggen
Complete. One shot. Takes place at the Slug Club party. A bit Blaise/Hermione, but it's more of a Blaise character study.
Anticlimax
Characters (canon): Ron, Hermione
Complete. One shot. A Ron/Hermione fluff piece that takes place in early OotP.
Fools in Love
Characters (canon): Hestia Jones
Characters (OC): Marcus Malfoy
Complete. One shot. The improbable romance of Lucius Malfoy's youngest brother with an Order memeber. Yes, it ends badly.
Yellow Roses and Daisies
Characters (canon): Dobby, Hestia Jones, various Slytherins
Characters (OC): Marcus Malfoy
Complete. One shot. A 2nd person POV piece featuring a young Marcus Malfoy coming to grips with his pureblood heritage and his crush on Hestia Jones.
More Than a Woman
Characters (canon): Narcissa Malfoy, Lucius Malfoy, Voldemort, Andromeda Tonks
Complete. One shot. 1st person POV piece featuring Narcissa and her trials to join the DE inner circle.
I Said I Would Go
Characters (canon): Tonks, Remus, Andromeda, Ted Tonks
Characters (OC): Bjorn
Complete. 3 chapters. A Tonks/Remus piece that seems to be a compliment to Winter's Last Chill except that it's Tonks and her mum that get the focus. All the romance happens in flashbacks, and Remus never actually appears in the present day of the fic. Just a heads up.
Accursed Miracle
Characters (canon): Cedric, Amos Diggory, Ron, Dawlish, Auror Robards, Auror Savage, Harry, Susan Bones, Oliver Wood, Cho Chang, Goyle, Tracey Davis
Characters (OC): Adam Venturini, Eloise Thackery, Emery Nissel, Cassandra Barnes, Sloane Davis, Famke Iverson
Work in progress
This is my 'current' and most ambitious fic. It's a canon post-War fic (about a year after the War) with some huge AU twists. Basically, it's the most canon AU piece about how war never ends, some problems cannot be fixed, and some times, weird things just happen.
Porcelain Doll
Characters (canon): Cho Change, the Carrows
Complete. One shot. This is an extremely dark fic where Cho has been captured in DH and subjected to torture and rape. She is now trying to piece her life back together.
I can say I really enjoyed the scene between Cedric and Cho. It’s nice to see that relationship not get written off, and I really liked the light dialogue between the pair. There’s about a gazillion things I want to say about this fic, and I’m not going to quote specific lines because I loved too many of them. I think the best part was in the way you just made the words flow; it’s difficult to describe a life-after-death scenario and not make it sound cheesy. You managed to pull that off and then some. I liked how you had Dumbledore appear on the platform, too; however, the way you explained it was nice. I also liked how Dumbledore seemed to understand perfectly what was happening because he always seemed to understand death better than anyone in the series, too. ‘Dumbledorian’ should also become a real world because it described exactly the way Dumbledore speaks; his own name is the only world the really seems to do some of his lines justice. The metaphor of a train that could go anywhere was also interesting, but was that simply a ‘standard’ part of dying? Does everyone see that train, or is it just specific people who had Hogwarts mean something special to them? In addition, your description just blew me away. There was a lot of description, but it didn't feel heavy or like it WAS too much description.
This fic is made of Win, by the way, and is completely fabulous.
This poem made me grin. You capture, in sixteen lines, exactly how it feels to be a teenager asking someone to a dance. I couldn’t figure out who the speaker was, though. I assumed it was Harry or maybe Ron? For some reason, I loved the line ‘Truly, what the frickin’ hell?’ If this were being read out loud, this line seems like one that would really grab the listener’s attention. Later in the poem, the first line of the last stanza asks another abrupt question. Those questions break up the narrative and really convey a lot of frustration, but they’re also hilarious and serve to engage the reader.
Yes, I did get your secret message. : )
Your choice to write a fic about such an unlikable character made me so curious that I had to read it. First of all, Lockheart’s vanity is definitely intact throughout the first part of this piece. He doesn’t go out of character, and in the last section, you manage to make him likable because he does show that he feels guilty about accidentally killing this girl. I like how you have Lockheart focusing so much on how the girl looks and used to look because appearances are very important to him. I liked this line:
To lose her beauty, her face, her identity, it had probably been an act of mercy, what he had done.
It’s so in character for Lockheart to consider getting disfigured to mean the same as losing one’s identity. Given the choice, I think Lockheart probably would have preferred to lose his memory rather than become scarred, and I like how you brought out his vanity in very subtle ways. The ending part of this fic was very powerful because it’s ironic and bitterly sad. It brings to mind the idea of karma, and I think you accomplished a ‘full circle’ affect very well between both of these scenes.
Author's Response: Wow, what a wonderful review! Thank you so much!
A set of haiku telling of Molly Weasley's own war against Voldemort.
**Implied character death
I can't say I critque poems very well, but these were very sweet snippets of Molly's personality. They really show how loyal she is to her children and family.
I think it’s interesting you chose Molly and Avery for this fic. I really liked how you made Molly bitter about the end of the war. We can see how protective she is of Harry, and this really helps give those emotions a bit of background. Obviously, she has a lot of children and loves them all, but she loves Harry, too, and there’s a good chance some of that affection comes from pitying him for not growing up with parents. This fic also adds the extra element that Molly understands how Harry feels because she lost her brothers in the war, too.
I really liked this line: Avery threw his arms over his head as a firework exploded above his hideout, sending mounds of dust cascading down from the ceiling. Voldemort had been his world and now his world had gone, each firework puncturing another hole into its coffin. It shows how paranoid and afraid Avery is of being caught; it’s really the perfect description of a man with no hope to escaping. I also loved the last line of the fic. It seems to perfectly summarize what a broken world the post-War one is.
Okay, I really loved this fic. However, before I go and celebrate this fic’s goodness, I’m going to point out the one HUGE canon error that jumped into my face. From what I gather, this is set during CoS. If this is during CoS, Cedric is going to be in his 5th year and Cho will be in her 3rd year. In his fifth year, Cedric WOULD be a prefect. At first, I thought this line "I'm not a prefect," he told her. was sarcastic, but then you said this:
He was one of eleven fourth-year Hufflepuffs, only three of whom came from more than a few generations of wizards.
Sorry, but the time line inaccuracy drove me a bit nuts. Other than that, I loved your description. There were, once again, so many great lines in this fic, and I can’t quite figure out which one is my favorite. I have to say that I liked the fact that you made both Cho and Cedric funny. Most authors seem to miss those points, but you kept them in character and made their (early) relationship seem easy and effortless. I liked the little joke about the Giant Squid, too. I think my favorite part was your portrayal of Cho. She doesn’t ever get cast in a good light, does she? However, you manage to portray her in the way Cedric might have seen her, and if you write again about Cho/Cedric, I’ll be sure to read it because you keep this pair very in canon. I really liked the moment when Cho is about to cry but doesn’t. And here is probably my favorite line (if I had to pick one) because it sort of sums up all the lovely Other Pairing elements in this fic, and it is a very subtle romantic point, too.
Halfway through the last word, she seemed struck by some fantastic humor. She broke out laughing, tried to stop herself, and of course wound up laughing at herself even harder.
Now I can leave my real review for this fic. I liked the locker room banter. I like how you had the ‘means to an end’ conversation between Oliver and Cedric because it showed that Oliver really only cared about winning, but how the game was won seemed more important to Cedric. I also liked how you made Cedric funny, and Oliver is very serious, which I think fits his personality quite well. You handled the slash element of this fic very well. I really liked this line:
You’ll stand up in the Great Hall and tell the whole bloody school, and all those girls who chase you, that you’re as straight as a pumpkin vine?
I liked that line and the analogy with the pumpkin vine. I also think that both boys denying their sexuality really made this fic. The scenes where Oliver fights with his dad also help to heighten the slash elements later in the fic and make them seem more personal. I really would like to read a sequel to this fic. I must say, Oliver/Cedric has become my favorite slash pair, although it screws with my Cedric/Cho pairing.
Author's Response: Hmm, well Cedric/Oliver doesn't rule out Cedric/Cho ... not exactly ... LOL. Thank you very much for the review. It was quite tough to write, but my beta was amazing. (Thank you Emma). Anyway I do want to write a follow up ... so watch this space. *adds to several other bunnies* Thanks again ~Carole~
I love this conversation. :) I like how Tonks is cheeky through the entire thing, and there are some really funny lines in here, too. I like how they're comfortable talking to each other, and even in a serious conversation, they're obviously still enjoying each other's company.
Good challenge entery!
The part with Hermione’s dad was very sweet and adorable. It seems to be one of your very straight forward sections. I think you did something very similar to Neville’s section. They’re both very platonic, sweet, and direct in how they portray love for Hermione.
And he wanted her to be his friend, too . . . or more than that. He imagined spending time with her, simply talking, or perhaps studying, or making her laugh like that, or pressing his lips to hers. It made him smile.
That was the best line from that part. I was surprised (in a good way) how pleasant the part with Viktor was. You wrote him really well, and I think a bit more sympathetically, than most authors do. I liked how you portrayed his love for Hermione as being more genuine.
What really endured him to Hermione was the simple fact that she was the first person who ever took care of him.
That part was very sweet. I liked how you acknowledged the possibility of Harry/Hermione, but also went into why Harry viewed Hermione as just a friend. I think that line really sums up how and why Harry thinks of Hermione as a sister. The dialogue with Harry and Hermione about being a good father was amazing. I also liked how Harry decided he would be a good father because Hermione raised him.
While I liked parts five and six, you really don’t recapture the brilliance of part four. Don’t get me wrong, the part with Ron was great. I think your dialogue between Ron and Hermione is very believable. Overall, I liked your piece here.
Author's Response: Thank you! This is such a detailed review, which is always a real treat :) While I'm a huge Ron/Hermione shipper, I do have something of a soft spot for Viktor, and I'm glad you thought that showed and that you liked how he was portrayed! As for Harry's part -- I think he and Hermione have such a sweet relationship, the epitome of a close relationship between a girl and a boy that remains close despite the fact that it never turns romantic. And she really is the first one to take care of him, imo! :) Thanks again.
The idea of multiple, random AU timelines is pretty amazing. I liked how you used that technique to establish Harry and Ginny in any world. The idea that someone is made for someone else has been done, but you’ve done it in such a way that you don’t have to come right out and say it. I also got a really distinct sense of Ginny’s personality. I liked how you kept her personality very similar while varying Harry’s personality a bit.
Now, with the first part. I like how you intersperse the single sentences with the longer paragraphs. It really helps to pull the reader into Ginny’s thoughts and her intense emotions. You really write Ginny well; that section really pulled me into the story. It makes me wonder about your alternative timeline, but I also feel invested with Ginny as a character. The passion that Ginny shows is very in character, too.
Section two seemed pretty similar to the books. I think, while you obviously add that little zinger at the ending, the alternate timeline in two doesn’t feel too far removed. Even though it’s well written, this section doesn’t feel as inspired as the first section. The third section was INCREDIBLY powerful. I loved it. I like that you included dialogue because it really helps this part. Something about this seems very crazy, but very believable.
The fourth section seems to be an extension of the third section. It’s definitely the same type of disutopia. Once again, Ginny’s characterization never falters. And the fifth part? Good way to end it. It’s fluffy, but not so, and it fits after the two very heartbreaking ending in part three and part four.
Author's Response: Thank you so much! I'm glad you thought it was a new, different technique! I feel like part of this was born simply of my new need to explore all sorts of AU possibilities. I'm so happy you think Ginny remained in character through out! I really wanted to portray her well and keep her consistent throughout, even if Harry was changed by circumstance. I can see what you mean about section two; I had meant to imply that Harry had been happy his whole life, had enjoyed more than a few weeks at the end of sixth year that he thought were like something out of someone else's life, but it certainly wasn't as powerful a section as any of the others. And of course I had to end on a happy note -- the story was plenty angsty enough! Thanks again for such a detailed review :)